Free Download The Carpet: Origins, Art and HistoryBy Enza Milanesi

Free Download The Carpet: Origins, Art and HistoryBy Enza Milanesi

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The Carpet: Origins, Art and HistoryBy Enza Milanesi

Free Download The Carpet: Origins, Art and HistoryBy Enza Milanesi

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From the perspective of Western culture, it is not always easy to understand the complexities of the antique Oriental carpet. Part of the fascination lies in its dual nature as a simple, even humble artifact intended to be used in a variety of ways as well as a sophisticated artistic object with ancient designs unfamiliar to us. Providing the tools to understand the decorative and technical aspects of a carpet, including its geographic area of production, The Carpet: Origins, Art and History is a handsome reference book for lovers of art and antiques who are eager to deepen their knowledge of this intriguing world. Intentionally neither a manual nor a guide, this book aims to inform and captivate.

The Carpet celebrates its subject with clear and concise text as well as photographs and design diagrams that illustrate the most important ancient carpets. The stunning photographs capture the beauty and intricacy of this extraordinary art and play an important role in the critique and analysis of the various carpet specimens. With diagrams and drawings, this book provides an inspiring study of the carpet in all its dimensions, from decoration and its interpretation to the layout system, the ornamental motifs and their symbolic meaning and origin.

• Sales Rank: #2821447 in Books
• Brand: Brand: Firefly Books
• Published on: 1999-10-01
• Original language: Italian
• Number of items: 1
• Dimensions: .84" h x 9.68" w x 12.12" l,
• Binding: Hardcover
• 200 pages

Features

• Used Book in Good Condition

From Library Journal
Art historian Milanesi presents a beautiful photographic compendium of carpets representing the main geographic areas of production: Anatolia, Persia, the Caucasus, India, western and eastern Turkestan, China, and the historical European centers. More than just a pretty catalog, her book serves as a useful guide for identifying and studying carpets. Milanesi ably describes and illustrates materials, dyes, knots, and weaving technology and examines layout and design; also provided is an analysis of the cultures in which these carpets were created. The text combines a discussion of the symbolism of motifs with a visual presentation of photographs and design diagrams. While providing a comprehensive stylistic study and interpretation that will interest experts, Milanesi gives even a novice the ability to understand the decorative and technical aspects of these functional yet sophisticated artistic objects. Recommended for general and subject collections.
-Judith Yankielun Lind, Roseland Free P.L., NJ
Copyright 2000 Reed Business Information, Inc.

Review
This beautifully illustrated and keenly researched book is a treasure for collectors of Oriental carpets. (Ottawa Citizen 1999-12-04)

Besides being full of information about where and how carpets are made, the book has sumptuous pictures of carpets ... this handsome book would make a great gift. (Baltimore Sun 1999-11-28)

Milanesi explains the making of carpets, the meaning of their symbolic designs and the milieus in which they were created. Best of all the book boasts a wealth of color photographs that show exactly what she's talking about. (Christine Temin Boston Globe 1999-12-16)

More than just a pretty catalog, her book serves as a useful guide for identifying and studying carpets ... While providing a comprehensive stylistic study and interpretation that will interest experts, Milanesi gives even a novice the ability to understand the decorative and technical aspects of those functional yet sophisticated artistic objects. (Judith Yankielun Lind Library Journal 2000-02-15)

The presentation is simple, executed by a lover and scholar of this knotted art form ... Much information is revealed in the color photographs and illustrations, accompanied by text. (Barbara Jacobs Booklist 2000-03-15)

About the Author

Art historian Enza Milanesi lives in Rome, Italy, where she teaches and lectures on artistic techniques and has, for many years, assisted the Italian Ministry of Cultural Assets in the cataloging of art-history materials. A scholar and an avid lover of antiques, Milanesi has a special affection for the world of carpets.

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Download Ebook Making Whiteness: The Culture of Segregation in the South, 1890-1940By Grace Elizabeth Hale

Download Ebook Making Whiteness: The Culture of Segregation in the South, 1890-1940By Grace Elizabeth Hale

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Making Whiteness: The Culture of Segregation in the South, 1890-1940By Grace Elizabeth Hale

Download Ebook Making Whiteness: The Culture of Segregation in the South, 1890-1940By Grace Elizabeth Hale

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Making Whiteness is a profoundly important work that explains how and why whiteness came to be such a crucial, embattled--and distorting--component of twentieth-century American identity.  In intricately textured detail and with passionately mastered analysis, Grace Elizabeth Hale shows how, when faced with the active citizenship of their ex-slaves after the Civil War, white southerners re-established their dominance through a cultural system based on violence and physical separation.  And in a bold and transformative analysis of the meaning of segregation for the nation as a whole, she explains how white southerners' creation of modern "whiteness" was, beginning in the 1920s, taken up by the rest of the nation as a way of enforcing a new social hierarchy while at the same time creating the illusion of a national, egalitarian, consumerist democracy.

By showing the very recent historical "making" of contemporary American whiteness and by examining how the culture of segregation, in all its murderous contradictions, was lived, Hale makes it possible to imagine a future outside it. Her vision holds out the difficult promise of a truly democratic American identity whose possibilities are no longer limited and disfigured by race.

• Sales Rank: #324692 in Books
• Published on: 1999-06-01
• Released on: 1999-06-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .90" w x 5.20" l, .88 pounds
• Binding: Paperback
• 448 pages

From Library Journal
Confronted with losing the distinction between free and slave, rebel Southerners created a common whiteness to solve their post-Civil War-era problems, argues Hale (history, Univ. of Virginia). They built a nationalism of denial, a world of white and black, of power and fear. In literature, the marketplace, and public spectacle, they crafted a collectivity based on segregation as a culture, making whiteness a racial identity and the American norm even while asserting that it was natural and not the product of human choice. And as Hale shows in this absorbing cultural history of racial construction, it wasn't just white Southerners who embraced the individual and collective identity of superiority but Northerners as well. Her thesis on the evolution of racial identity in this country is not entirely new but is greatly enhanced by her fine literary and cultural detail. This work complements Ian Haney-Lopez's White by Law: The Legal Construction of Race (LJ 12/95) and David Theo Goldberg's Racist Culture: Philosophy and the Politics of Meaning (Blackwell, 1993) and his more recent Racial Subjects: Writing on Race in America (Routledge, 1997). Recommended for collections on the South and U.S. culture, history, or society.AThomas Davis, Arizona State Univ., Tempe
Copyright 1998 Reed Business Information, Inc.

From Kirkus Reviews
First-timer Hale's impressive examination of the Jim Crow Southan erudite intellectual survey of the sweeping social, historical, and economic trends that shaped white racial identity in opposition to blacknessis obscured by deadly academic jargon. The central myth Hale debunks is that whiteness is an organic, rather than manufactured, racial identitythat it is, somehow, the American norm. She identifies several large cultural forces that influenced white racial identity. The replacement of local merchandise with a national mass market, for example, gave rise to advertising (much of it created in the North) that manipulated southerners' nostalgic remembrance of loyal, subservient slaves by using African-American icons like Aunt Jemima to sell goods to a nationwide audiencepresumed to be entirely white. Advances in printing technology made it easier to distribute demeaning images of African-Americans, reinforcing negative stereotypes. Just as black racial identity was largely defined in relation to whiteness after Reconstruction, Hale asserts, whiteness was defined by blackness. Analyzing how whites of different economic and educational backgrounds shared a unified sense of supremacy, she fleshes out Ralph Ellison's famous declaration: ``Southern whites cannot walk, talk, sing, conceive of laws or justice, think of sex, love, the family or freedom without responding to the presence of Negroes.'' But in place of Ellison's simple eloquence, Hale raises an impenetrable thicket of theoretical jargon (terms like transhistorical, isomorphic, and dialectics rain like candy from a Mardi Gras float). She glosses the Civil War's outcome thus: ``Union victory delegitimated that nascent nationalist collectivity, the Confederacy.'' Furthermore, her contention that ``this corresponding depth of racial obsession occurred only with passing'' for African-Americans spectacularly understates the totality with which whites controlled black life during Jim Crow's dark reign. One senses in Hale's (American History/Univ. Of Virginia) cogent, encyclopedic scholarship the debut of an important new intellectual voiceall the more reason to regret the cloaking of provocative thinking in the fusty duds of academic prose. (8 pages b&w photos) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.

Review
"A delightfully provocative book -- the most nuanced picture yet of the world view of segregationists." -- Austin Chronicle

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